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Monday, March 7, 2011

Kozintsev and Hamlet

This is my second post on musical scores of Hamlet. Here is a link to the first post in the series.

In 1964, Grigori Kozintsev directed a dark and mysterious version of Hamlet shot in Denmark. From the scenes that I have seen it is obvious that Kozinsev was trying to bring out the dark tenants of one of Shakespeare's most famous works. The music, as well as the camera angels, play to these dark tenants as well. As I watched the scene below, I could not help but feel a little bit frightened as Hamlet enters Ophelia's bed chamber. As Leonard notes in her book, "the music for Kozintsev's production was composed by Dmitri Shostakovich, who had already composed music for two different productions of Hamlet before he worked on the 1964 film" (16). To describe Shostakovich's work, Leonard quotes J. Lawrence Gunther who said,"Shostakovich's score counterpoints, highlights, and comments on the action itself, transforming each shot into a microcosmic Gesamtkunstwerk, a unified work of art in image and sound." I could not agree more with Lawrence's quote. The music and images join together to create a mood that is undeniably dark, yet accurate in their portrayal of Hamlet's story.

Here is a YouTube clip from Kozintsev's work:


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I think that the music is representing the characters. Listen to the music playing when Ophelia is alone. It's some what childlike, and sweet, yet sad.Ophelia's character is a childlike woman. She relies on what others tell her, to the point of asking to be told what to do as a child needs. She is also sweet and kind, yet very sad by events occurring. Hamlet enters, and a dark, brooding music takes over. First, the fact that the music that represents Hamlet overshadows Ophelia is significant to me. Hamlet does outshine and overshadow Ophelia. Also, the fact that Hamlet's music is so dark shows the fact that Hamlet is doubtlessly a dark character.

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